Η αίθουσα τέχνης Τεχνοχώρος μας προσκαλεί στην έκθεση
«Αόρατη ασάλευτη παρουσία», μία εικαστική συνομιλία
των Αφροδίτης Γκρίζη, Ειρήνης Μνατσακανιάν και Άννας-Μαρίας Σμυρνάκη.
Η Αφροδίτη Γκρίζη επεξεργάζεται το μετάξι με εκρήξεις χρωμάτων αλλά και λεπτές αποχρώσεις δημιουργώντας 2 επίπεδα που αλληλεπιδρούν μέσω του φωτός.
Η Ειρήνη Μνατσακανιάν μέσα από τη ζωγραφική και τη χαρακτική αποτυπώνει σκιές
του παρελθόντος αναδιαμορφώνοντας τις σχέσεις στο παρόν.
Η Άννα-Μαρία Σμυρνάκη ζωγραφίζοντας με ακουαρέλα σινική μελάνη και μολύβια
πάνω στο λευκό χαρτί, αποτυπώνει στιγμές της ύπαρξης της σημειώνοντας σκέψεις
και χρησιμοποιώντας αλληγορίες.
Εγκαίνια Έκθεσης:
Πέμπτη 5 Φεβρουαρίου 2015, 20:00-23:00
Διάρκεια Έκθεσης: 5 Φεβρουαρίου – 7 Μαρτίου 2015
Ημέρες και ώρες λειτουργίας:
Τρίτη, Πέμπτη, Παρασκευή: 11:00 – 14:30 & 17:30 – 20:30
Τετάρτη, Σάββατο: 11:00 – 16:00
Κυριακή, Δευτέρα:
Ανοικτά κατόπιν τηλεφωνικού ραντεβού
Αίθουσα τέχνης Τεχνοχώρος
Λεμπέση 4 & Μακρυγιάννη, Αθήνα | metro Ακρόπολη
Τηλέφωνο 211 182 38 18
http://www.technohoros.org/
info@technohoros.org
Εγκαίνια Έκθεσης: Πέμπτη 5 Φεβρουαρίου 2015, 20:00-23:00
Διάρκεια Έκθεσης: 5 Φεβρουαρίου – 7 Μαρτίου 2015
Ημέρες και ώρες λειτουργίας:
Τρίτη, Πέμπτη, Παρασκευή: 11:00 – 14:30 & 17:30 – 20:30
Τετάρτη, Σάββατο: 11:00 – 16:00
Κυριακή, Δευτέρα: Ανοικτά κατόπιν τηλεφωνικού ραντεβού
Αίθουσα τέχνης Τεχνοχώρος
Λεμπέση 4 & Μακρυγιάννη, Αθήνα | metro Ακρόπολη
Τηλέφωνο 211 182 38 18
www.technohoros.org – info@technohoros.org
Διαβάστε περισσότερα: http://www.globalview.gr/%e2%80%8e-%cf%84%ce%b5%cf%87%ce%bd%ce%bf%cf%87%cf%8e%cf%81%ce%bf%cf%82-%ce%b1%cf%8c%cf%81%ce%b1%cf%84%ce%b7-%ce%b1%cf%83%ce%ac%ce%bb%ce%b5%cf%85%cf%84%ce%b7-%cf%80%ce%b1%cf%81%ce%bf%cf%85%cf%83/
Διαβάστε περισσότερα: http://www.globalview.gr/%e2%80%8e-%cf%84%ce%b5%cf%87%ce%bd%ce%bf%cf%87%cf%8e%cf%81%ce%bf%cf%82-%ce%b1%cf%8c%cf%81%ce%b1%cf%84%ce%b7-%ce%b1%cf%83%ce%ac%ce%bb%ce%b5%cf%85%cf%84%ce%b7-%cf%80%ce%b1%cf%81%ce%bf%cf%85%cf%83/
Εγκαίνια Έκθεσης: Πέμπτη 5 Φεβρουαρίου 2015, 20:00-23:00
Διάρκεια Έκθεσης: 5 Φεβρουαρίου – 7 Μαρτίου 2015
Ημέρες και ώρες λειτουργίας:
Τρίτη, Πέμπτη, Παρασκευή: 11:00 – 14:30 & 17:30 – 20:30
Τετάρτη, Σάββατο: 11:00 – 16:00
Κυριακή, Δευτέρα: Ανοικτά κατόπιν τηλεφωνικού ραντεβού
Αίθουσα τέχνης Τεχνοχώρος
Λεμπέση 4 & Μακρυγιάννη, Αθήνα | metro Ακρόπολη
Τηλέφωνο 211 182 38 18
www.technohoros.org – info@technohoros.org
Διαβάστε περισσότερα: http://www.globalview.gr/%e2%80%8e-%cf%84%ce%b5%cf%87%ce%bd%ce%bf%cf%87%cf%8e%cf%81%ce%bf%cf%82-%ce%b1%cf%8c%cf%81%ce%b1%cf%84%ce%b7-%ce%b1%cf%83%ce%ac%ce%bb%ce%b5%cf%85%cf%84%ce%b7-%cf%80%ce%b1%cf%81%ce%bf%cf%85%cf%83/
Διαβάστε περισσότερα: http://www.globalview.gr/%e2%80%8e-%cf%84%ce%b5%cf%87%ce%bd%ce%bf%cf%87%cf%8e%cf%81%ce%bf%cf%82-%ce%b1%cf%8c%cf%81%ce%b1%cf%84%ce%b7-%ce%b1%cf%83%ce%ac%ce%bb%ce%b5%cf%85%cf%84%ce%b7-%cf%80%ce%b1%cf%81%ce%bf%cf%85%cf%83/
Εγκαίνια Έκθεσης:
Πέμπτη 5 Φεβρουαρίου 2015, 20:00-23:00
Διάρκεια Έκθεσης: 5 Φεβρουαρίου – 7 Μαρτίου 2015
Ημέρες και ώρες λειτουργίας:
Τρίτη, Πέμπτη, Παρασκευή: 11:00 – 14:30 & 17:30 – 20:30
Τετάρτη, Σάββατο: 11:00 – 16:00
Κυριακή, Δευτέρα: Ανοικτά κατόπιν τηλεφωνικού ραντεβού
Αίθουσα τέχνης Τεχνοχώρος
Λεμπέση 4 & Μακρυγιάννη, Αθήνα | metro Ακρόπολη
Τηλέφωνο 211 182 38 18
www.technohoros.org – info@technohoros.org
————————–————————–————————–—-
Art Gallery Technohoros is inviting us at the exhibition entitled
“Unseen Unwavering Presence”, a visual intercourse of Afroditi Grizi,
Eirini Mnatsakanian and Anna-Maria Smyrnaki. Afroditi Grizi process the
silk in explosion of colours, as well as fine shades creating 2 levels
that interact through the light. Eirini Mnatsakanian through paintings
and engraving imprints shades of the past restructuring the
relationships in the present. Anna-Maria Smyrnaki painting with
watercolour Indian ink and pencil on white paper, imprints instants of
existence, using allegories.
Harris Kondosphyris gestalter of the exhibition writes about : «Far away
from the mind, at the most sacred edge of the heart, we walk shaking.
One foot steps at the sunburned land and the other one seeks in the
dark, in the abyss, in the mud of blindness. We all have the agonies of
Nikos Kazantzakis. The three artists emotionally sense, one the birth,
another the course of life and the third one the need to demist the
reflection in order to become presence. In the urban individualism the
narcissism, the biological birth, the renascence of mind and soul, the
nostalgia of death are the phenomena that need to be elucidated and the
questions that concern particularly all three of them.
Confessions and anti-confessions, the void inside, the repulsion for the
authority, the superimposition of the introspection about he
inconsistency, the perception of the world of so many resigned, the
social survival, the decay of the sense of the past, the fear of
senescence and the androgynous utopia are some of the surge. The visual
positions for the pregnant woman, the trustee of the memory in a family
and the distinctness of the female effect, it is accomplished in one
hand through painting but on the other hand though the introduction of a
new action, the one of the nostalgic remembrance genetically cinematic.
This exhibition refers to the flame which is the human soul, that does
not stands still, cannot be burned and no one can blow it out, as Nikos
Kazantzakis claims combatively. Afroditi Gkrizi revives, Eirini
Mnatsakanian does not forget and Anna-Maria Smyrnaki invades at the
selfish self. Τhe memory owns us! Afrodite offers, Eirini is being
dominated and Anna –Maria is being chartographed in the capacity of
memory.”
Afrodite Grizi says about her work : “Life begins in a tender, fragile
universe but at the same time this universe is savage, hard and
inhospitable.
The foetus swings in the endometrium environment, in a paradise of
coexistence and interaction. The first experiences in the uterus, as in
the moment of birth, operate as archetypes, not consciously perceived by
human nature. George Eliot said that: “there is no creature whose
interior world is so powerful, so that is not affected from its
surroundings.” Socrates mentioned that “The part of the self I don’t
know, ends up, dominating me.”
The conditions and the effects of the environment of existence,
constantly modify its nature. In the internal and external world, Fate
and Willingness are interdependent. Since the ancient times Fate is our
share in life, it’s our specific share in pain, suffering and joy. An
unexplored mystery remains the primary cells’ route of existence, which
is structured by visible or invisible forces. It is a ruthless wrestle
between the Spirit and Matter. This unconscious wrestle of opposite
forces brings harmony.
An elliptical narration is synthesized between paper and silk, that
penetrates the unconscious. Light is linked to life and is the bearer of
memory. It passes through the translucent silk fabric, to annihilate
forms and facts. Coherent images are designed on paper, parallel to the
paintings on the silk fabric. Two interactive levels are created, that
indicate different space-time situations. Hidden memories and
experiences emerge.”
Eirini Mnatsakanian mentions about her work :
“My paintings refer to my relationship with my closest people. They are
about desires in relationships that never got fulfilled, relationships
that I took the decision to end or tried to regain. Relationships of
guilt that Ι dare to deal with. I draw and engrave the human presence
going towards the void of death with tender gestures that Ι carry in my
memory from the wall papers of my grandfather’s house. Αs time goes by,
each relationship leaves its essence in me and on my papers. That is why
I feel the need to give through my work, the feeling of the interaction
in those relationships cause I have the belief that is the only way for
me to communicate with the people who see my art.
Anna-Maria Smyrnaki writes :
“I meet with my personal concerns. I think that paintings consists a
parallel path with my life. In this section of artworks it concerns me
is the Ego and my Existence to the present, in confrontation with
situations and people in my familiar environment as well.
The essence of Pessoa “being aware what my life has been until today –
so many times and sο keenly opposite towards my desires – I cannot
predict my tommorow’ s life, that it will truly what I cannot predict,
what I do not desire, what it will be compelled to me from something
foreign, even with the mediation of my own will” is representative of my
present thoughts. It concerns me the matter of stereotypical behaviors,
of social roles enforcement and by using the equivalent allegories I
point out those elements. The writing consists integral part of my work
and I merge it in my own way since it is impossible for me not to
imprint the thoughts that emerge.”
Τεχνοχώρος
Previous article
Παραιτήθηκε από Αντιπρόεδρος της Τρ. Πειραιώς ο Παναγιώτης Ρουμελιώτης
Next article
Ανεμοθύελλα με νότιους ανέμους εως 11 μποφόρ θα σαρώσει την Ελλάδα
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Διαβάστε περισσότερα: http://www.globalview.gr/%e2%80%8e-%cf%84%ce%b5%cf%87%ce%bd%ce%bf%cf%87%cf%8e%cf%81%ce%bf%cf%82-%ce%b1%cf%8c%cf%81%ce%b1%cf%84%ce%b7-%ce%b1%cf%83%ce%ac%ce%bb%ce%b5%cf%85%cf%84%ce%b7-%cf%80%ce%b1%cf%81%ce%bf%cf%85%cf%83/
Διαβάστε περισσότερα: http://www.globalview.gr/%e2%80%8e-%cf%84%ce%b5%cf%87%ce%bd%ce%bf%cf%87%cf%8e%cf%81%ce%bf%cf%82-%ce%b1%cf%8c%cf%81%ce%b1%cf%84%ce%b7-%ce%b1%cf%83%ce%ac%ce%bb%ce%b5%cf%85%cf%84%ce%b7-%cf%80%ce%b1%cf%81%ce%bf%cf%85%cf%83/
Εγκαίνια Έκθεσης:
Πέμπτη 5 Φεβρουαρίου 2015, 20:00-23:00
Διάρκεια Έκθεσης: 5 Φεβρουαρίου – 7 Μαρτίου 2015
Ημέρες και ώρες λειτουργίας:
Τρίτη, Πέμπτη, Παρασκευή: 11:00 – 14:30 & 17:30 – 20:30
Τετάρτη, Σάββατο: 11:00 – 16:00
Κυριακή, Δευτέρα: Ανοικτά κατόπιν τηλεφωνικού ραντεβού
Αίθουσα τέχνης Τεχνοχώρος
Λεμπέση 4 & Μακρυγιάννη, Αθήνα | metro Ακρόπολη
Τηλέφωνο 211 182 38 18
www.technohoros.org – info@technohoros.org
————————–————————–————————–—-
Art Gallery Technohoros is inviting us at the exhibition entitled
“Unseen Unwavering Presence”, a visual intercourse of Afroditi Grizi,
Eirini Mnatsakanian and Anna-Maria Smyrnaki. Afroditi Grizi process the
silk in explosion of colours, as well as fine shades creating 2 levels
that interact through the light. Eirini Mnatsakanian through paintings
and engraving imprints shades of the past restructuring the
relationships in the present. Anna-Maria Smyrnaki painting with
watercolour Indian ink and pencil on white paper, imprints instants of
existence, using allegories.
Harris Kondosphyris gestalter of the exhibition writes about : «Far away
from the mind, at the most sacred edge of the heart, we walk shaking.
One foot steps at the sunburned land and the other one seeks in the
dark, in the abyss, in the mud of blindness. We all have the agonies of
Nikos Kazantzakis. The three artists emotionally sense, one the birth,
another the course of life and the third one the need to demist the
reflection in order to become presence. In the urban individualism the
narcissism, the biological birth, the renascence of mind and soul, the
nostalgia of death are the phenomena that need to be elucidated and the
questions that concern particularly all three of them.
Confessions and anti-confessions, the void inside, the repulsion for the
authority, the superimposition of the introspection about he
inconsistency, the perception of the world of so many resigned, the
social survival, the decay of the sense of the past, the fear of
senescence and the androgynous utopia are some of the surge. The visual
positions for the pregnant woman, the trustee of the memory in a family
and the distinctness of the female effect, it is accomplished in one
hand through painting but on the other hand though the introduction of a
new action, the one of the nostalgic remembrance genetically cinematic.
This exhibition refers to the flame which is the human soul, that does
not stands still, cannot be burned and no one can blow it out, as Nikos
Kazantzakis claims combatively. Afroditi Gkrizi revives, Eirini
Mnatsakanian does not forget and Anna-Maria Smyrnaki invades at the
selfish self. Τhe memory owns us! Afrodite offers, Eirini is being
dominated and Anna –Maria is being chartographed in the capacity of
memory.”
Afrodite Grizi says about her work : “Life begins in a tender, fragile
universe but at the same time this universe is savage, hard and
inhospitable.
The foetus swings in the endometrium environment, in a paradise of
coexistence and interaction. The first experiences in the uterus, as in
the moment of birth, operate as archetypes, not consciously perceived by
human nature. George Eliot said that: “there is no creature whose
interior world is so powerful, so that is not affected from its
surroundings.” Socrates mentioned that “The part of the self I don’t
know, ends up, dominating me.”
The conditions and the effects of the environment of existence,
constantly modify its nature. In the internal and external world, Fate
and Willingness are interdependent. Since the ancient times Fate is our
share in life, it’s our specific share in pain, suffering and joy. An
unexplored mystery remains the primary cells’ route of existence, which
is structured by visible or invisible forces. It is a ruthless wrestle
between the Spirit and Matter. This unconscious wrestle of opposite
forces brings harmony.
An elliptical narration is synthesized between paper and silk, that
penetrates the unconscious. Light is linked to life and is the bearer of
memory. It passes through the translucent silk fabric, to annihilate
forms and facts. Coherent images are designed on paper, parallel to the
paintings on the silk fabric. Two interactive levels are created, that
indicate different space-time situations. Hidden memories and
experiences emerge.”
Eirini Mnatsakanian mentions about her work :
“My paintings refer to my relationship with my closest people. They are
about desires in relationships that never got fulfilled, relationships
that I took the decision to end or tried to regain. Relationships of
guilt that Ι dare to deal with. I draw and engrave the human presence
going towards the void of death with tender gestures that Ι carry in my
memory from the wall papers of my grandfather’s house. Αs time goes by,
each relationship leaves its essence in me and on my papers. That is why
I feel the need to give through my work, the feeling of the interaction
in those relationships cause I have the belief that is the only way for
me to communicate with the people who see my art.
Anna-Maria Smyrnaki writes :
“I meet with my personal concerns. I think that paintings consists a
parallel path with my life. In this section of artworks it concerns me
is the Ego and my Existence to the present, in confrontation with
situations and people in my familiar environment as well.
The essence of Pessoa “being aware what my life has been until today –
so many times and sο keenly opposite towards my desires – I cannot
predict my tommorow’ s life, that it will truly what I cannot predict,
what I do not desire, what it will be compelled to me from something
foreign, even with the mediation of my own will” is representative of my
present thoughts. It concerns me the matter of stereotypical behaviors,
of social roles enforcement and by using the equivalent allegories I
point out those elements. The writing consists integral part of my work
and I merge it in my own way since it is impossible for me not to
imprint the thoughts that emerge.”
Τεχνοχώρος
Previous article
Παραιτήθηκε από Αντιπρόεδρος της Τρ. Πειραιώς ο Παναγιώτης Ρουμελιώτης
Next article
Ανεμοθύελλα με νότιους ανέμους εως 11 μποφόρ θα σαρώσει την Ελλάδα
Similar articles
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Οι αλχημιστές είχαν σαν στόχο της ύπαρξης τους να επιτύχουν την
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Διαβάστε περισσότερα: http://www.globalview.gr/%e2%80%8e-%cf%84%ce%b5%cf%87%ce%bd%ce%bf%cf%87%cf%8e%cf%81%ce%bf%cf%82-%ce%b1%cf%8c%cf%81%ce%b1%cf%84%ce%b7-%ce%b1%cf%83%ce%ac%ce%bb%ce%b5%cf%85%cf%84%ce%b7-%cf%80%ce%b1%cf%81%ce%bf%cf%85%cf%83/
Διαβάστε περισσότερα: http://www.globalview.gr/%e2%80%8e-%cf%84%ce%b5%cf%87%ce%bd%ce%bf%cf%87%cf%8e%cf%81%ce%bf%cf%82-%ce%b1%cf%8c%cf%81%ce%b1%cf%84%ce%b7-%ce%b1%cf%83%ce%ac%ce%bb%ce%b5%cf%85%cf%84%ce%b7-%cf%80%ce%b1%cf%81%ce%bf%cf%85%cf%83/
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