LOYVRE...Sarcophagus: Battle between the Greeks and the Amazons

From the second century AD, Athenian workshops competed with
those of Rome in the production of monumental sarcophagi, which were 
often exported to other parts of Greece or across the Mediterranean. 
One such example is this sarcophagus, made circa AD 180 and found 
in Thessaloniki. The roughly hewn lid represents the deceased couple 
on their funeral bed. The box portrays the legendary battle between 
the Greeks and the Amazons; the back is adorned with garlands and griffons.

An Attic sarcophagus exported to Northern Greece

This monumental sarcophagus was discovered in 1836 in the northern Greek city 
of Thessaloniki. It entered the Louvre in 1884, two years after the consul M. Gillet 
had given it to Louis-Philippe. 
Despite its provenance, the box is an Attic creation from the second century AD. 
Athens was the third largest center for the production of sarcophagi after Rome 
and Asia Minor; its sculptural tradition was perpetuated by relief-decorated sarcophagi, 
often destined for a foreign clientele and exported across the Mediterranean or within Greece itself (as in the present case). Production ceased during the late third 
century under the impact of the economic crisis, which was partly due to the 
Herulian invasion of Attica in AD 267.

Portraits of the deceased

In accordance with a practice that was also attested in Etruria, Italy, and Rome, 
the sculptor personalized this sarcophagus by portraying the deceased couple, 
half-reclining on the lid. The structure of the box resembles that of the funeral bed, supported at the corners by caryatids and terminal figures, with its thick mattress 
and embroidered cushions. Several indications suggest that these portraits date 
from circa AD 180: the woman's hairstyle, for example, with large waves on either 
side of a central parting and a chignon at the nape of the neck, resembles the imperial hairstyle worn by noble Roman women during the late Nervan-Antonian dynasty 
(AD 96-192). The couple's strongly chiseled features attest to the work of a local 
sculptor, who added these portraits to an unfinished sarcophagus imported to 
Northern Greece from Attica.

The battle of the Greeks and the Amazons

Attic sarcophagi were placed in edifices that were open to public view and, 
unlike Roman models (sculpted on three sides only), they were decorated with 
reliefs on all four sides. In the present case, the choice of theme was inspired 
by an episode from mythology: the main panel and short sides depict the battle 
of the Greeks and Amazons during the Trojan War. 
This episode was marked by the death of Queen Penthesilea in the arms of Achilles, 
who fell in love with her after delivering her death blow. 
The dense, violent composition plays on the tangle of figures, with contorted poses 
and effects of drapery that contrast with the nudity of the bodies. 
Although modified, the fighters' poses were inspired by traditional Greek sculpture. 
The monumentality of the figures reflects the Greek artists' taste for decoration 
resembling sculpture in the round, where the characters are treated like individual sculptures. On the back of the box, two griffons in low relief face each other 
inside garlands that hang from an eagle and from two terminal figures of Heracles.

Bibliography
K. de Kersauson, Catalogue des portraits romains, 
II, Paris, 1996, p. 306-307, n 138.
Fr. Baratte, L'Art romain, Manuels de l'Ecole du Louvre, Paris, 1996, p. 157, fig.
Fr. Baratte, Metzger (C.), Musée du Louvre. 
Catalogue de sarcophages en pierre des époques romaine et paléochrétiene, 
Paris, 1985, p. 256-261, n 166.

louvre.fr/en/